Play Along Piano

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Bassoon

Georg Pfeifer

0:40	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	13	0	1	3	100%
Horn in F	12	0	2	5	100%
Violine	13	7	2	4	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	13	0	1	3	100%
Horn in F	12	0	2	5	100%
Violine	13	7	2	4	100%

Triumph (Original Band Composition)

robworks1

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Clarinet	14	0	3	5	96%
Baritone Saxophone	15	1	3	5	93%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Clarinet	14	0	3	5	96%
Baritone Saxophone	15	1	3	5	93%
Bassoon	12	0	3	5	89%
Euphonium	12	0	3	5	89%
Trombone	12	0	3	5	89%
Tuba	16	0	3	5	89%
Alto Saxophone	13	0	2	6	86%
B♭ Clarinet 1	13	0	0	6	86%
B♭ Clarinet 2	11	0	0	6	86%
B♭ Clarinet 3	16	0	3	6	86%
Flute 1	13	4	2	6	86%
Flute 2	13	3	2	6	86%
Oboe	13	0	2	6	86%
Piccolo	15	0	2	6	86%
B♭ Trumpet 1	12	3	2	6	82%
B♭ Trumpet 2	11	3	0	5	82%
Double Bass	12	0	3	5	82%
Tenor Saxophone	18	7	2	6	82%
F Horn	14	0	3	6	80%
Timpani	7	0	0	5	61%
Glockenspiel	13	0	2	6	39%

qqqant

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Ce.	19	0	8	7	90%
Cb.	13	0	4	8	89%
View all 31 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Ce.	19	0	8	7	90%
Cb.	13	0	4	8	89%
Vln. 2	33	0	7	6	87%
Vla.	30	0	10	6	85%
Vln. 1	30	19	9	6	79%
Glk.	24	0	5	7	67%
Mrm.	38	0	12	5	64%
Ob.	27	0	9	8	64%
F Hn.	25	0	10	8	61%
Vib.	30	0	8	7	61%
El. B.	14	4	1	8	61%
Fl.	25	0	9	8	54%
Tpt.	23	0	7	6	54%
Bsn.	17	0	3	3	54%
Cl.	27	0	8	6	53%
Picc.	25	0	9	8	52%
B. Cl.	21	0	5	5	51%
Cbsn.	13	0	1	7	51%
Euph.	14	0	3	5	51%
Tba.	13	0	1	7	51%
Tbn.	26	0	5	6	49%
Timp.	3	0	0	4	34%
B.	11	4	1	4	29%
T.	12	4	3	4	29%
Tu. Be.	12	0	2	2	29%
A.	18	3	3	6	28%
S.	15	8	2	6	28%
Hrp.	22	0	7	3	27%
	19	0	6	1	26%
Pno.	14	4	2	2	24%
	15	3	1	2	24%

mooing

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	40	33	37	14	83%
Bässe.	34	14	26	15	78%
View all 42 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	40	33	37	14	83%
Bässe.	34	14	26	15	78%
Erste Violinen.	42	21	38	12	76%
	5	2	0	5	3%
Zweite Violinen.	39	59	35	12	70%
	10	7	2	1	1%
Bassoon	17	0	9	5	5%
	41	74	39	12	70%
Violen.	36	54	32	11	66%
Drei Hoboen.	32	72	27	10	56%
	11	0	7	5	1%
	26	2	19	5	8%
Sechs Hörner in F.	33	10	17	7	13%
	2	1	0	1	0%
	32	78	25	11	53%
	38	70	29	11	43%
Vier Flöten.	37	22	30	13	50%
	32	21	17	6	17%
B♭ Clarinet	38	60	34	10	50%
	20	0	10	4	3%
	33	9	16	7	10%
Contrabassoon	29	0	21	12	47%
Drei Posaunen.	1	0	0	1	0%
	34	115	25	8	39%
Pauken.	13	0	6	5	34%
Basstuba.	32	24	24	9	29%
Vier Trompeten in F.	25	20	11	10	17%
	17	13	5	6	4%
	24	11	14	11	13%
B♭ Trumpet	3	2	1	1	0%
	26	41	15	8	17%
	28	36	16	10	16%
A Clarinet	3	0	1	2	0%
	40	28	27	10	15%
	19	0	9	7	3%
Bass Clarinet	22	0	9	7	12%
Drei Klarinetten in C.	24	2	6	6	6%
Harp	17	1	0	6	3%
	24	9	2	8	4%
English Horn	16	0	8	7	3%
Piccolo	21	2	6	6	3%
Violin	3	0	0	2	0%

Enter The Beast (Unfinished)

berryandrewm

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	14	2	5	14%
	22	20	2	9	14%
View all 37 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	14	2	5	14%
	22	20	2	9	14%
Flute	19	0	6	10	53%
	25	0	9	10	53%
Horn in F	18	5	2	10	50%
	18	0	3	10	50%
B♭ Clarinet	25	0	5	15	41%
	21	0	8	8	41%
Trombone	19	7	5	9	39%
	19	0	4	9	39%
Marimba	26	10	2	7	36%
	14	9	1	8	28%
Euphonium	20	0	5	7	28%
Harp	33	29	7	13	25%
	27	19	3	9	17%
B♭ Trumpet	17	0	0	10	24%
	15	0	2	10	24%
	13	0	1	10	24%
Tuba	12	0	2	6	23%
Bass Trombone	11	0	2	9	23%
Vibraphone	20	21	6	9	20%
Oboe	19	0	2	12	20%
Alto Saxophone	15	0	1	8	15%
	21	0	5	10	18%
Bass Clarinet	21	0	3	7	17%
Bassoon	15	0	4	9	17%
Tenor Saxophone	16	0	1	7	16%
Timpani	9	1	1	6	16%
Baritone Saxophone	11	0	2	7	14%
Tubular Bells	12	2	0	8	14%
Contrabass Clarinet	12	0	1	7	13%
Contrabassoon	11	0	2	7	13%
Double Bass	7	0	1	4	8%
Piccolo	18	0	4	6	4%
Crotales	6	2	0	3	3%
English Horn	15	0	6	5	3%
Xylophone	4	0	0	1	2%

Matt Almanza

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	46	61	18	9	94%
	34	74	17	9	99%
View all 50 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	46	61	18	9	94%
	34	74	17	9	99%
B♭ Clarinet I	30	32	13	9	97%
Bassoon I	25	0	6	8	95%
F Horn I	18	0	6	8	95%
B♭ Clarinet II	29	29	11	8	93%
Flute I	27	0	11	9	93%
B♭ Bass Clarinet	28	0	5	8	92%
Bassoon II	27	0	7	6	92%
Oboe I	20	0	8	9	92%
F Horn II	18	0	7	8	91%
F Horn III	21	0	6	8	91%
F Horn IV	19	0	6	6	91%
E♭ Alto Saxophone I	21	0	6	9	87%
Flute II	27	0	9	9	87%
B♭ Clarinet III	29	12	11	8	86%
B♭ Contrabass Clarinet	20	0	6	6	86%
Contrabassoon	22	0	6	6	86%
E♭ Contra-alto Clarinet	17	0	6	6	86%
E♭ Clarinet	26	0	10	9	84%
Flute III	26	0	10	9	84%
E♭ Alto Clarinet	28	0	7	8	82%
E♭ Alto Saxophone II	20	0	4	9	82%
B♭ Tenor Saxophone	24	0	5	9	81%
E♭ Baritone Saxophone	16	0	4	6	80%
Oboe II	19	0	9	9	80%
English Horn	21	0	7	9	79%
Euphonium	22	0	6	6	68%
	22	0	6	6	68%
B♭ Bass Saxophone	16	0	6	6	66%
Tuba	19	7	7	6	66%
Both Male Choruses	15	10	4	8	61%
	15	12	4	8	59%
	20	19	6	6	62%
	18	20	7	6	60%
B♭ Cornet II	13	0	4	8	59%
B♭ Cornet III	15	8	2	6	59%
Trombone I	15	0	3	6	59%
Trombone II	17	0	2	6	59%
Double Bass	21	6	7	5	55%
Piccolo	18	0	5	8	46%
Harp	27	24	7	7	40%
	28	13	3	7	45%
Trombone III	14	0	2	6	38%
B♭ Trumpet I	13	0	2	6	35%
B♭ Trumpet II	15	0	3	6	35%
Timpani	7	0	1	5	32%
B♭ Cornet I	15	0	5	6	27%
Female Chorus	10	1	2	6	22%
	8	0	1	6	25%

DÉBAT DU CORPS ET DE L'ÂME

Garsenda

5:23	Est. Play Time
113	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	10	2	6	55%
	12	1	0	3	31%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	10	2	6	55%
	12	1	0	3	31%
Bassoon	24	3	4	8	50%
Flute	19	9	4	6	49%